cinema corner: le roy david
november 6, 2026
balling kael

Le Roy David

I need more amateur actors on my screen. There’s a purity there. Feels less like a job or some prodding artistic exploration and more like simply being. Maybe it’s just that there’s no facial recognition there. You are a stranger so you are whoever you tell me you are. 

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In Le Roy David, Eva Hualt is beautifully complex as the lead. The Director,  Lila Pinell, anoints her as an antihero, a fuck-up who’s been through some fucked up shit, who does some fucked up shit as a result. We watch her scramble to get her life together, however she has to, whether that be using friends and family, begging for help, or the many five finger discounts along the way. All the while the image of her lover and abuser, David, haunts her as she still feels a compulsory bond to him despite his transgressions. 

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Eva provides us with a full character: a funny woman, a flakey woman, a woman who can explode on you at any instant, a manipulative woman, a woman who can ask a store clerk for a job and try to pocket a free bottle off the store’s shelves right after, a woman who’s been victim to abuse, a woman who’s disappointed her mother one too many times, a woman who’ll steal from her own aunt. A woman. A hot mess. A beautiful mess. The story takes you on a 42 minute ride of laughter, disgust, and heartbreak as you walk in her heels. On 16. Easy on the eyes.

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cinema corner: le roy david
november 6, 2026
balling kael

Le Roy David

I need more amateur actors on my screen. There’s a purity there. Feels less like a job or some prodding artistic exploration and more like simply being. Maybe it’s just that there’s no facial recognition there. You are a stranger so you are whoever you tell me you are. 

‍

In Le Roy David, Eva Hualt is beautifully complex as the lead. The Director,  Lila Pinell, anoints her as an antihero, a fuck-up who’s been through some fucked up shit, who does some fucked up shit as a result. We watch her scramble to get her life together, however she has to, whether that be using friends and family, begging for help, or the many five finger discounts along the way. All the while the image of her lover and abuser, David, haunts her as she still feels a compulsory bond to him despite his transgressions. 

‍

Eva provides us with a full character: a funny woman, a flakey woman, a woman who can explode on you at any instant, a manipulative woman, a woman who can ask a store clerk for a job and try to pocket a free bottle off the store’s shelves right after, a woman who’s been victim to abuse, a woman who’s disappointed her mother one too many times, a woman who’ll steal from her own aunt. A woman. A hot mess. A beautiful mess. The story takes you on a 42 minute ride of laughter, disgust, and heartbreak as you walk in her heels. On 16. Easy on the eyes.

‍

cinema corner: le roy david
november 6, 2026
balling kael

Le Roy David

I need more amateur actors on my screen. There’s a purity there. Feels less like a job or some prodding artistic exploration and more like simply being. Maybe it’s just that there’s no facial recognition there. You are a stranger so you are whoever you tell me you are. 

‍

In Le Roy David, Eva Hualt is beautifully complex as the lead. The Director,  Lila Pinell, anoints her as an antihero, a fuck-up who’s been through some fucked up shit, who does some fucked up shit as a result. We watch her scramble to get her life together, however she has to, whether that be using friends and family, begging for help, or the many five finger discounts along the way. All the while the image of her lover and abuser, David, haunts her as she still feels a compulsory bond to him despite his transgressions. 

‍

Eva provides us with a full character: a funny woman, a flakey woman, a woman who can explode on you at any instant, a manipulative woman, a woman who can ask a store clerk for a job and try to pocket a free bottle off the store’s shelves right after, a woman who’s been victim to abuse, a woman who’s disappointed her mother one too many times, a woman who’ll steal from her own aunt. A woman. A hot mess. A beautiful mess. The story takes you on a 42 minute ride of laughter, disgust, and heartbreak as you walk in her heels. On 16. Easy on the eyes.

‍

cinema corner: le roy david
november 6, 2026
balling kael

Le Roy David

I need more amateur actors on my screen. There’s a purity there. Feels less like a job or some prodding artistic exploration and more like simply being. Maybe it’s just that there’s no facial recognition there. You are a stranger so you are whoever you tell me you are. 

‍

In Le Roy David, Eva Hualt is beautifully complex as the lead. The Director,  Lila Pinell, anoints her as an antihero, a fuck-up who’s been through some fucked up shit, who does some fucked up shit as a result. We watch her scramble to get her life together, however she has to, whether that be using friends and family, begging for help, or the many five finger discounts along the way. All the while the image of her lover and abuser, David, haunts her as she still feels a compulsory bond to him despite his transgressions. 

‍

Eva provides us with a full character: a funny woman, a flakey woman, a woman who can explode on you at any instant, a manipulative woman, a woman who can ask a store clerk for a job and try to pocket a free bottle off the store’s shelves right after, a woman who’s been victim to abuse, a woman who’s disappointed her mother one too many times, a woman who’ll steal from her own aunt. A woman. A hot mess. A beautiful mess. The story takes you on a 42 minute ride of laughter, disgust, and heartbreak as you walk in her heels. On 16. Easy on the eyes.

‍

cinema corner: le roy david
november 6, 2026
balling kael

Le Roy David

I need more amateur actors on my screen. There’s a purity there. Feels less like a job or some prodding artistic exploration and more like simply being. Maybe it’s just that there’s no facial recognition there. You are a stranger so you are whoever you tell me you are. 

‍

In Le Roy David, Eva Hualt is beautifully complex as the lead. The Director,  Lila Pinell, anoints her as an antihero, a fuck-up who’s been through some fucked up shit, who does some fucked up shit as a result. We watch her scramble to get her life together, however she has to, whether that be using friends and family, begging for help, or the many five finger discounts along the way. All the while the image of her lover and abuser, David, haunts her as she still feels a compulsory bond to him despite his transgressions. 

‍

Eva provides us with a full character: a funny woman, a flakey woman, a woman who can explode on you at any instant, a manipulative woman, a woman who can ask a store clerk for a job and try to pocket a free bottle off the store’s shelves right after, a woman who’s been victim to abuse, a woman who’s disappointed her mother one too many times, a woman who’ll steal from her own aunt. A woman. A hot mess. A beautiful mess. The story takes you on a 42 minute ride of laughter, disgust, and heartbreak as you walk in her heels. On 16. Easy on the eyes.

‍

cinema corner: le roy david
november 6, 2026
balling kael

Le Roy David

I need more amateur actors on my screen. There’s a purity there. Feels less like a job or some prodding artistic exploration and more like simply being. Maybe it’s just that there’s no facial recognition there. You are a stranger so you are whoever you tell me you are. 

‍

In Le Roy David, Eva Hualt is beautifully complex as the lead. The Director,  Lila Pinell, anoints her as an antihero, a fuck-up who’s been through some fucked up shit, who does some fucked up shit as a result. We watch her scramble to get her life together, however she has to, whether that be using friends and family, begging for help, or the many five finger discounts along the way. All the while the image of her lover and abuser, David, haunts her as she still feels a compulsory bond to him despite his transgressions. 

‍

Eva provides us with a full character: a funny woman, a flakey woman, a woman who can explode on you at any instant, a manipulative woman, a woman who can ask a store clerk for a job and try to pocket a free bottle off the store’s shelves right after, a woman who’s been victim to abuse, a woman who’s disappointed her mother one too many times, a woman who’ll steal from her own aunt. A woman. A hot mess. A beautiful mess. The story takes you on a 42 minute ride of laughter, disgust, and heartbreak as you walk in her heels. On 16. Easy on the eyes.

‍

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cinema corner: le roy david

November 7, 2026

the yes, and collection

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November 7, 2026
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